Back by popular demand are Fr. Damian's Icon Retreats for the New Year. Below is all the pertinent information. See you soon!
Jan 16th - 20th: The Oratory, Rock Hill, SC; Call Judy @ 803 327-2097
Feb 11th - 15th: Holy Transfiguration Monastery Call Petro @ 310 985-9597 **
Feb 25th - Mar 1: St. Gertrude's, Cottonwood, ID; Call 208 962-2000
May 1st - 5th: The Oratory, Rock Hill, SC; Call Judy @ 803 327-2097
May 29 - Jun 2; Port Townsend, WA; Call Jean Kaldahl @ 360 379-1802
Jun 24th - 28th: St. Josephat's, Edmonton, AB; Call Fr. Peter Babej @ 780 993-8037
Jul 22nd - 26th: St. Francis Springs, Stoneville, NC; Call Ann Bauer @ 336 573-3751
Aug 18th - 22nd; St. Placid Priory Spiritual Center, Lacy, WA; Call Sr. Lucy @ 360 438-2595
Aug 23rd - 28th Holy Theophany, Olympia, WA; Call Mother Seraphina @ 360 491- 8233
Sep 10th - 15th: St. Basil, Sterling Heights, MI; Call Fr. Mychail @ 568 719-4425
Oct 2nd - 6th: Immaculate Heart, Spokane, WA; Call Sr. Mary Eucharista @ 509 448-1224
Oct 29th - Nov 2nd Greenbough House of Prayer, Adrian, GA; Call Steve or Fay @ 478 668-4758
**The cost for this retreat is $550 for the week for 'boarders' and $350 for daily commuters
ADVANCED ICON WORKSHOP IN OLYMPIA, WA WITH RAYMOND VINCENT
Students of iconography often find it difficult to translate the icons they see and want to paint into usable prototype drawings. Iconographer Raymond Vincent will tackle this challenging aspect of iconography by offering a two-day workshop on iconographic composition and prototype drawing.
Areas that will be covered:
· How to produce line drawings from existing images
· Basics principles of composition
· Finished prototype drawings
· Cartoons (transfer drawings)
Friday November 2nd, beginning with vespers 5:30 pm, ending on Saturday 3rd with Vespers at 5:30pm.
$225 fee (which covers all materials) and $30 for overnight accommodations.
To register, please email Raymond @ firstname.lastname@example.org
As with any novice or someone being initiated into a new way of life, he came with preconceived notions and expectations. One of these was that
a new model of living would replace everything that had taken priority in his life up to this point (i.e., family, religious life, professional work). When in fact
he came to the realization that all that had transpired before was a prerequisite for this life.
One area of interest that then-Br. Damian never took the opportunity to pursue was art. His grandmother and uncle painted but with insufficient time to
devote to this discipline, he had only dabbled in watercolor...but that would soon change. Afternoons in the monastery (beginning at 2:30PM, which seems
to be the low ebb of energy for most of us) always included some sort of class/lecture in history, liturgy, music or art, but no matter the proficiency of the instructor,
our Br. Damian began to nod off at this untimely--if not ungodly--hour. To remedy the situation, he dedicated himself to writing notes--furiously--and when this didn't improve his level of consciousness, he graduated--or capitulated to--doodling. Elaborate doo-dads filled his notes...Slavic domes, Byzantine crosses, intricate floral patterns and even some basic sketches of...wait for it...icons!
The Novitiate had a room filled with icons supplies that had been abandoned by previous novices who had left to serve at our Ukrainian Cathedral in Chicago, and so Father's Boniface and Michael determined that Br. Damian, who was now greatly accomplished at drawing nothing, should devote himself to something a bit more salvific. With 4-5 days to spare before heading off to the Mother Teresa's Brothers in Tijuana, Dominic Parrish, a quasi-hermit/idiorythmic monk of the Tenderloin in San Francisco, offered to come teach Br. Damian the iconography discipline he had learned from a Russian Orthodox woman in the City. Brother Parrish had no time for "un-teaching a trained artist but was willing to work with the ignorant," so a great partnership was born as Br. Damian fit this bill perfectly.
Dominic prepared a board and then proceeded to paint 15 small icons of Our Lady of Kazan--each in a different phase--so that rather than telling
his pupil about icons and how to paint them, he helped the young monk to SEE...